Peer Gynt, Suite No. 1

Edvard GRIEG

1843-1907

Much like Sibelius, revered as a national hero in Finland, Edvard Grieg is rightly regarded as Norway’s national composer.

Trained in Germany, like many musicians of his era, Grieg strove to integrate strong national elements into his language and to free it from Germanic influence, drawing in particular on Norwegian folklore, legends, and tales. It is from a literary source that Peer Gynt Suite No. 1 was born, specifically from the play of the same name by Henrik Ibsen, premiered in February 1876, for which Grieg wrote the incidental music. The story follows the adventures and misadventures of Peer Gynt, a young braggart who tries to flee reality through idealized dreams and deceit. From the 26 numbers composed for the play, Grieg selected four to form a first suite in 1888, then four more for a second suite published a few years later. Together, these suites alone secured his worldwide fame.

Morning Mood unfolds in Morocco, where Peer Gynt has made his fortune as a slave trader, yet the music evokes a distinctly Nordic light. Åse’s Death is a poignant episode accompanying the death of Peer’s mother, after which he leaves Norway. Anitra’s Dance depicts an episode in which Peer, ruined, is invited by a sheikh to Arabia and then seduced by the beautiful Anitra, who strips him of what little he has left. Hugely memorable, In the Hall of the Mountain King, which concludes the suite, sees our hero led to the throne of the Dovre Mountain King in a world populated by trolls and demons.

© François Zeitouni, 2026