Chichester Psalms

Hussey wished to commission a choral work for the 1965 Southern Cathedrals Festival. A passionate art lover, the Dean had previously commissioned a stained-glass window from Marc Chagall and the cantata Rejoice in the Lamb from Benjamin Britten. Hussey gave Bernstein free rein, specifying, however, that everyone would be delighted if his composition contained “a hint of West Side Story.”

Taking advantage of a sabbatical year, Bernstein wrote his Chichester Psalms by blending classical choral writing, traditional Jewish music, and jazz. Written for a small orchestra, the work calls for a large percussion section and two harps, a reference to King David who, according to legend, composed the Psalms while accompanying himself on this instrument. The Chichester Psalms were first performed in New York on July 15, 1965, under the composer’s direction, and then reprised a few days later in Chichester at the festival.

Bernstein chose six Hebrew psalms from the Old Testament, which he set to music in a highly contrasting style. Featuring colorful orchestration, great rhythmic vigor, and catchy themes, they perfectly reflect the dynamism and personality of “Lenny,” who was one of the most endearing musical figures of the 20th century.