Symphony No. 96 “ The Miracle,” Vivace

This is when the protagonist undergoes his major transformation, illustrated through music with the final movement of Haydn’s Symphony No. 96, aptly known as the “Miracle Symphony.” This symphony’s title originates from an incident during the premiere of another Haydn symphony in London. A chandelier fell from the ceiling, narrowly missing audience members who had fortunately stood up to get a closer look at the composer and conductor.

For Orlando, it’s an entirely different miracle. When the protagonist awakes from his slumber, he discovers he has become a woman. Initially pleased with this change, Orlando hits the road and meets an archduke at an inn. However, she is quickly repulsed by his remarks and comments. For the first time in her life, she confronts misogyny and experiences how women are treated. This allows her to understand the secrets and weaknesses of both genders clearly.

But because of her situation, she takes refuge in her room, writing poetry and prose. Orlando writes until dawn, grateful to escape the marital and maternal obligations imposed on other women. She doesn’t miss being out in society.

But there comes a day when her inspiration runs dry, and she feels tempted to marry. With no one to lean on, she stumbles and falls asleep, her ear to the ground.