Conductor Daniela Candillari continues to garner praise for her dynamic and compelling performances at opera houses and concert stages throughout North America and Europe.
Recognized for her “confidence and apparently inexhaustible verve” (The New York Times) and “powerful and breathtaking performances” (Review STL), Candillari enters her second season as both Principal Conductor at Opera Theatre of Saint Louis and Principal Opera Conductor at Music Academy.
In the 2022-23 season, Candillari conducts the New York Philharmonic and Yo-Yo Ma, American Composers Orchestra and The Choir of Trinity Wall Street at Carnegie Hall, Orchestre Métropolitain de Montréal, the Symphonic Orchestra of Slovenian National Theater in Maribor, Toledo Symphony, the world premiere of Peter Knell and Stephanie Fleischmann’s Arkhipov at the Kirk Douglas Theatre, Deutsche Oper Berlin’s concert version of Lakmé, New Orleans Opera’s Hansel and Gretel, Tosca at Opera Theatre of Saint Louis and Arizona Opera, Tulsa Opera’s Gala concert version of Aida, and Music Academy’s La bohème.
Last season, she made her Metropolitan Opera debut conducting Aucoin’s Eurydice; led Jeanine Tesori’s Blue with Detroit Opera; Terence Blanchard’s Fire Shut Up in My Bones at Lyric Opera of Chicago; Opera Theatre of Saint Louis’ Carmen; the North American premiere of Caroline Shaw, Andrew Yee, and Asma Maroof’s Moby Dick; or The Whale at The Shed with members of the New York Philharmonic; Music Academy of the West’s Eugene Onegin; the 2021 made-for-film world premiere of Clint Borzoni’s The Copper Queen with Arizona Opera; and the 2022 film of Ana Sokolović’s Svadba with Boston Lyric Opera. As a composer, Candillari has been commissioned by the New York Philharmonic, Met Opera, and New York City Ballet Orchestras.
Candillari grew up in Serbia and Slovenia. She holds a Doctorate from the Universität für Musik in Vienna; a MM from the Indiana University Jacobs School of Music; and a MM and Bachelor’s degree from the Universität für Musik in Graz.